Let's Rummage

Wednesday 23 April 2014

Books are Madjicke!

I've always been fascinated by books, not just for their content - I can, and probably will, wax lyrical about that interminably.

Books have been revered and feared throughout history, mostly for their content but sometimes their reputation is enough. There's a mythology that surrounds books. They can be full of dangerous things. Madjicke spells and incantations, or still more scary, ideas. All things that may tempt you to stray from the path, and we can't have that, can we Awa Rich?

But, I'm talking about books as objects. Even before you become enthralled and absorbed by what's inside - which may be no more than the potential of blank pages - there's something about a book that's powerful and madjickle. Hold a book in your hands, open it, flick through the pages, smell it. Feel the enchantment crackle.

Bookbinding is one of those ancient traditional crafts that have always seemed like alchemy to me, but a madjicke I wanted the knowing of. I looked around for books about making books - recursion is another thing that fascinates me - I never seemed to have the ready money when I was thinking about it. I looked at courses, they were even more expensive.

This year I resolved to figure it out and found all the answers I needed at the Delphic Oracle, or YouTube as it's more popularly known. You can learn just about anything you want to on YouTube, it just takes time, patience and asking the right questions.

My first attempt was a sketchbook. I buy lovely sketchbooks that I never use because they're too precious to be sullied with my scrawlings. If I make my own then they'll be friendly to my scratchings, went my reasoning.

I've made half a dozen small sketchbooks (A5 and A6) using various kinds of paper and was well pleased with the results. They work! I mean I can use them like a 'proper' sketchbook and they don't fall apart. Unbelievable! It was quite a long journey but well worth it to have something I can use.

I hadn't intended making Moleskine type notebooks as I have several thirsty ones on the shelf. I stumbled upon SeaLemon - who has several tutorials on bookbindery on YouTube - including 'How to Make a Moleskine Style Notebook'. So I thought I'd give it a try.

The first attempt was a bit frayed at the edges as I'd used cheap photocopy paper on the inside and tried to trim it with an X-Acto knife. Nevertheless, I still have all my fingers and something useable. I've nearly filled it with inky symbols that represent the machinations of my mind. Result!

I made another for my partner, Marie. She was delighted with it and asked me to make one for her sister.

This is it. The cover is made from a sheet of wrapping paper from The Victoria and Albert Museum in South Kensington, London. The pen is a TWSBI Diamond 580.

This is a teaser. Some time in the future ("It's gonna be the future soon!" - Jonathan Coulton song) I'll describe how I got to this point.
Front cover
Front cover (belly band removed)

Rear cover

Front and rear cover


Front end paper


The dangerous bit

Thursday 17 April 2014

Creating the Bearthday Card

Workflows are very popular these days so I thought you might find it useful to see how I created the 50th birthday card for my brother.

The Idea

One leads to another and since the flatulent bear from the curry episode was still in my mind, and toilet humour is something that amuses my 'little' brother (it runs in the family Awa Rich), the bear sitting on the throne seemed like a good image to use.

There are so many euphemisms for visiting the smallest room, but going to meditate seemed appropriate for his milestone anniversary. Some soothing music helps with meditation and an old wind up gramophone works better visually than some boring electronic gadget. Also, I have plans for this bear and the mad Fitzcaraldo character from Werner Herzog's film (of the same name) standing on the bridge of his boat crashing down the rapids of the Rio Urubamba with Caruso playing on his wind up gramophone is an evocative image (for me anyway). When  your world is going down the toilet, at least have a moving soundtrack!

A bear can't do everything himself so he needs an assistant. I have no idea why I chose a squirrel other than they seem to be particularly active at the moment.

If you're going to ponder on the bog, you can't get better than a Crapper. Thomas Crapper & Co. are alive and well in Stratford Upon Avon, still making the finest bathroom porcelain money can buy.

Preliminary Sketches

Plumbear

Glum Bear

Wind up Gramophone. A Victorola I think

A squirrel that lives in my head

A squirrel that lives on Streatham Common
Bogbear

Composition

I liked the bear sitting on the throne with the gramophone but the bear looked too happy. I found a photo of a suitably glum looking bear on the internet and based the glum bear sketch on that. 

Wind up gramophones need winding up and that's a job for Assistant Squirrel. The first sketch was from the generic squirrel model in my mental image library. The one I used is from a photograph I took in the woods on Streatham Common.

I photographed the sketches with my iPad and imported them into AutoDesk SketchBook Pro as separate layers.

I chose Sketchbook Pro over all the other similar apps because it's available for the iPad, Mac and PC, so it's easy to transfer images from one device to the other (That's what the kids call Cross Platform Awa Rich). I can rough out a drawing on the iPad and transfer it to the Mac Book Pro for clean up.

All the layers were opaque, so I erased the paper around each image to reveal the layer below. Then I rearranged and resized the layers so I could get everything where I wanted it. I also flipped the squirrel around so it was facing right. and finished up with this.

Transferring the Image

I printed the composite image and rubbed the back with powdered graphite, layed it over a clean sheet of 200 gsm cartridge paper and drew, fairly roughly, over the top of the printout.

The final drawing

Now that I had a feint outline of the composition I redrew the whole thing with a 3B pencil. I added the cistern, again from my mental image library. I copied the Thomas Crapper & Co. logo from a sewer cover in Knightsbridge. You can find them all over London as Thomas Crapper's works was originally on Sloane Avenue in Chelsea. Thomas Crapper toilet bowls really do have names on their rims but I'm not sure there's one called 'The Endurance".

I was going to colour it with watercolour washes but there was a dead lion approaching and I needed to get the card in the post.


Assembling the card

I photographed the final drawing, transferred it to the MacBook Pro and made some adjustments to the exposure and contrast using the built in (but much overlooked) Preview app, where I also added the sepia tint. A last minute decision.

I created the card layout in Apple Pages using a template I'd designed years ago for making greetings cards - just an A4 landscape page divided vertically in half with some boilerplate text and an image placeholder that can be replaced with something appropriate to the occasion or recipient.

That's it.

Monday 14 April 2014

Happy Birthday little brother

'Little' Dave will be 50 on the 16th of April.

Auntie Swoozie's Wedding sometime before the last Ice Age.
This is the birthday card I made for his 'Special Day'

Click the bear to see the bigger picture
The caption on the card says "On your 50th Birthday Meditate on the Good Things in Life"
I'll leave it to your imagination what it says inside.

Friday 11 April 2014

More sketchy stuff - Brand logos for the Stinky Town Curry can label

Flatulent Bear Brand. This is a bear on emissions!

Loads of influences converge on one small bear.

Illustrator Brian Froud's characters are often seen carrying oversized wooden spoons. He probably pinched that idea from Mr. Breughel.

The green candle is a favourite saying of Alfred Jarry's character Pere Ubu - "by my green candle!" The spiral motif on his ample paunch is also from Pere Ubu.

To save him from his own exhaust fumes he has a Magic Tree air freshener around his neck ("it'll make you smell like a forrest" - as Jeff Bridges says to Robin Williams in Terry Gilliam's film The Fisher King) and he has a Doktor Schnabel gas mask stuffed with fragrant herbs, resins and a knuckle bone (genuine) of St. Roche - the plague saint. (popular in Europe during the time of The Black Death).


"We are relieved!" By Royal Appointment to Her Royal Queenyness. Any resemblance to any Royal Personages living or dead is a figment of your imagination.

It tickles me to think that The a Queen might wear a thong under all her regalia and smile to herself about her secret. It should have a sequinned Union Jack on it.


The evolution of Mr. Turner

Mr. Turner is the shopkeeper in Linda Hainsby's story Stinky Town. He's English in the book but I thought I'd dress him up as if he'd visited Mr. Ben's shop (Probably just down the road from his own).

They were all drawn with a No Photo Blue pencil. A habit I can't seem to kick despite being encouraged to "just grab a dip pen and dive straight in with the ink".





I coloured this one in SketchBook Pro on an iPad by tracing over the one above.


(Very) rough layout for the Stinky Town Curry can label

Just to get an idea of how the components would fit on an actual can label. I was going for a Victorian, Empire, Raj kind of look.

Thursday 10 April 2014

Ursus Flatus

Sketches for Bear's Curry can label and recipe.

Click the image to get the bigger picture

Tuesday 8 April 2014

Stinky Town Curry Recipe

Background

The inspiration for this curry came from Linda Hainsby’s hilarious illustrated book Stinky Town, in which a flatulent bear and a shopkeeper foil a royal robbery by means of the bear’s ‘special powers’. The bear's diet consists of copious quantities of beans, Brussels sprouts, nuts and chillies. The consequences of this diet are a central theme in the story.
Linda debuted her book during a show and tell session at the Putney School of Art and Design Children's Book Illustration class. When we'd all recovered our composure, wiped away the tears and could breath normally, that part of my brain that looks in the fridge and sees a menu said "That would make a really nice curry".
I tested it on my partner, Marie, who declared it to be "very nice". No further encouragement needed, I made another batch to take to the next class. That disappeared with even more complementary noises.
That's what I love about the Putney Illustration class. The inspiration I get from a room full of creative people throwing ideas around. I never know what fragment of someone else's idea will trigger a cascade of connections in my head, and what will come out the other end. Could have rephrased that one Awa Rich!
This is just a starting point, you don’t have to follow it slavishly. If there’s an ingredient you don’t have, leave it out or use something else. Feel free to vary the amounts too. Experiment, play around with it, make it your own.
An illuminated version will be available soon. Don't hold your breath. Enough with the puns already Awa Rich!

Download a PDF version of this recipe

Ingredients

Curry paste

  • Chillies
  • 2 or 3 cloves Garlic
  • A thumb sized piece of fresh root Ginger
  • 2 tablespoons Coriander seeds
  • 3 tablespoons Cumin seeds
  • 1 tablespoon whole Black pepper
  • 1/2 teaspoon ground allspice
  • 1/2 teaspoon ground cinnamon
  • 1 tablespoon ground turmeric
  • 1/2 teaspoon ground nutmeg

Everything else

  • 1 kg. Onions
  • 250g. dried Black Eyed Beans
  • 500g. Brussels Sprouts
  • 100g. Blanched almonds
  • 100 ml. Oil
  • Water
  • Salt

Fresh herbs

  • A bunch of coriander leaves
  • 2 or 3 sprigs of mint leaves

Preparation

If you are using dried beans, soak them overnight then boil them in 3 to 4 times their volume of water until they are soft. How long the beans take to cook depends on what type you’re using. Black eyed beans cook fairly quickly, about half an hour. Chick peas take much longer, an hour maybe more. Test one by squishing it with a fork, it should crush easily, but you don’t want mush.
I usually cook a big pan of beans then freeze what I don’t use.
Top, tail and peel, then chop the onions. You don’t have to be to precise as they will break up when you cook them. A kilo of onions may seem like a lot but they cook down to a fraction of their original volume.
Cut the bottoms off the sprouts, remove any manky outer leaves and cut them in half from top to bottom.
Roughly chop the almonds or put them in a plastic bag and beat the living daylights out of them with a rolling pin or some other blunt instrument.

Making the curry paste

You can use ready ground spices but you don’t need to roast them. If you’re feeling really lazy you could use a ready made curry paste.
Roast the whole dry spices in a small frying pan over a medium to high heat to bring out the flavours. Keep them moving around so they don’t burn. They’re done when you hear them snap crackle and pop. Take a moment to enjoy the aroma. Tip them into a dish to cool then grind them.
The fastest, easiest way to make the paste is to put all the ingredients in a liquidiser with some oil and whizz until you have a smooth paste. Add more oil if it gets too lumpy.
I like to use a pestle and mortar as it’s the best kind of aromatherapy.
Don’t worry if you make too much, put what you don’t use in a jar for another time.

Cooking

Put your biggest heaviest pan on a low to medium heat, pour in about 100 ml. of oil and gently fry the onions for 45 minutes to an hour. Keep them moving around and adjust the heat if they look like they’re browning. Your nose will tell you if they are.
You’ll be surprised how little there is left once they are cooked. The concentrated onions give the background flavour and texture to the curry.
When the onions are cooked, add about 2/3 of the spice paste and cook for 2 to 3 minutes. Keep stirring.
You need a lot of oil to cook the onions and to make the paste but if there’s too much oil in the pan, pour some out. You could keep it in a jar for the next time you cook curry.
Now add the cooked beans and almonds and give everything a good stir. Pour in 250 ml. of water and put the lid on the pot. Simmer it for about half an hour to let the flavours mingle. Check occasionally to make sure it’s not drying out, add more water if it is.
Add the sprouts and cook for 10 minutes or so, they should be cooked through but still have some bite. Fish one out and taste it now and again to check if it needs more cooking. Overcooked sprouts are disgusting, mushy and bitter.
Add some salt, give it a stir and taste it. If it needs more, repeat. If you think it needs more spice then add some. Adding a bit of spice paste towards the end of cooking gives it a fresh zing.
Finally, chop the mint and coriander leaves and stir them in.
Serve it with chapatis, nan, paratha or rice. you can include this as part of a larger meal or as a meal in itself.

Notes

Did you notice that no bears or any other animals were harmed or exploited in the making of this curry?
Onions Red onions are more traditional in India but use whatever you can get. Small onions have more flavour and pungency, large onions are sweeter.
Chillies Just like onions, dogs and people, the smaller ones are more fierce. Remember, you can put them in but you can’t take them out. Avoid Dutch hothouse chillies as they are impostors and couldn’t punch their way out of a wet paper bag.
Beans Black eyed beans are used a lot in indian cooking but you can use any kind you like. Chick peas have good flavour and texture but they take a lot of cooking. use whatever you have.
If you can’t be bothered with the soaking and boiling palaver, use canned. Rinse them thoroughly before you add them to the pot. That goes double for Heinz.
Sprouts If sprouts aren’t in season then use any of their cousins. Broccoli, cauliflower or shredded cabbage will work fine. Fresh is best but frozen is good too, and it cuts down on the preparation. Just heave them straight into the pot.
Almonds Ready blanched and sliced almonds are available but it’s cheaper to make your own. Asian shops sell large packs of almonds for a fraction of the price you’d pay in a supermarket (same goes for spices).
Boil a pan of water, chuck in a cup of almonds and bring back to the boil. Cook for 1 minute only then drain them. Rinse with cold water and leave for about 10 minutes.
Now for the fun part. Remove the skins by holding a nut between your thumb and the first knuckle of your forefinger and squeeze. The almond will pop out easily, often too easily. Squeeze them into the palm of your other hand to stop them shooting across the room.