Let's Rummage

Showing posts with label 53 Paper. Show all posts
Showing posts with label 53 Paper. Show all posts

Tuesday, 15 July 2014

Knot So Fast Buster!

A good place to start telling a story is in the middle. I put this Celtic knot picture in a previous post as an example of a drawing I'd made using the 53 Paper app. on my iPad. It started as a doodle, a warm-up for some other sketches in a proper paper sketchbook, but I reworked it after drawing more of the same with pencils, coloured pencils and watercolour.


Decisions I made while using physical media influencing decisions about the digital image. Using the eraser a lot - much easier in the digital context, though in the 53 Paper app. there is only a hard eraser whereas a real eraser can be more subtle. Real paper can only withstand a certain amount of scrubbing but a digital eraser can rub out as many times as you like.

I like the effect of layering colours you get with coloured pencils, the way you can see the granular texture of the colours in the previous layers. I tried it in the digital image and achieved a fair approximation. A pleasant effect, better than flat colour. Using the pencil tool to draw the thick outlines was useful as I could over draw lines to make them stronger or ease back on others - more like a real pencil and less digital looking than using the pen or marker tool to give a solid line.

Overlaying watercolour glazes creates some interesting effects but nothing like real watercolour.


Here's a page from my sketchbook with the same design drawn with non photo blue pencil - to establish the design - overdrawn with a 0.5 mm mechanical pencil then coloured with Derwent Studio coloured pencils.


The design below has been outlined with black ink.


Finally, a more worked up version done with a combination of watercolour and coloured pencil on Fabriano Accademia Desegno e Acquarello 240 gsm natural grain paper - which is very absorbent for a paper that declares itself suitable for watercolour, though you can achieve some interesting effects once you get used to it.

The absorbency of the paper exaggerates the way watercolours dry lighter than they appear when they're wet. Some colours appear very dark when wet but almost disappear when they dry.



So, how did I get here? I was marvelling at The Book of Kells on my iPad - get it in the AppStore for the price of an average bottle of wine, you'll be enjoying it long after the wine has gone.

You should go into advertising copywriting - back in the '50s Awa Rich!

I was wondering where you'd got to.

Same here Awa Rich. I was beginning to think you'd abandoned me.

I've been fascinated by Celtic knotwork since I was a kid. My brother Nick and I went through a phase of filling any available piece of paper with intricate designs we called 'creepers' like the tendrils on a pea vine. We'd discovered fractal self similarity, though we didn't know it at the time.

A prize with no bells on it for you Awa Rich!

This made for fertile ground when I got a book about the Vikings from a 'book of the month club'. It had some knotwork design on the cover and/or there were photographs of wood or stone carvings inside. This is all fogged by the passage of time.

That's my version of the story. Nick might remember it differently.

It was Nick that took knotwork as his own thing, beginning with the dust jacket of the Vikings book. The original must have been pretty boring as he replaced it with his own design. From then on, any available surface was fair game. Take a look at his website, there's a link over there on the right.

The design in the image at the top of this post was copied from a small pendant on a troll in a Brian Froud illustration.

All this because I was scratching around some designs for a logo or monogram for my sketchbooks. Actually, a seal to replace the bead on the end of the bookmark ribbon.

Is that the future feature Awa Rich?

One of them, yes.

Monday, 14 July 2014

Messing around with Paper (digital)

I was rummaging around in my drawers - as you do - and came across a pack of Milliput (epoxy putty) and wondered if it was still useable or had it set solid?

Milliput alway reminds me of the sticks of gelignite used by bank robbers in old American black and white gangster movies, I cut a slice from each of the sticks and kneaded them together like a good Peterman (that would be a safe blower Awa Rich) and it was still good. I couldn't resist making a head from the marble sized ball that resulted - having no leaks to fix or cracks to plug.

The face of this creature put me in mind of Pierrot the clown, so I snuffled around on the Googles for some pictures. Seems I'm not the only one who finds all those Comedia del Arte characters a bit creepy. There was a stunning photograph by a young Swedish art student of a doll, but shot so that it looked like a person. Very beautiful but faintly disturbing. Clowns and dolls, guaranteed to give me the collywobbles. It must have been all those black and white Hammer Horror films I watched in the '60s.

That led me on to drawing on my iPad with the 53 Paper app, probably the simplest graphics app available - limitation being the muse of creativity and all that. Drawing on a computer or iPad with a stylus is a lot more difficult than using the real deal - pencil and paper - but, as with everything, practice makes pretty good. Plus, I find that the different experiences of using a computer and physical materials produce inspirational flashes that have me zipping back and forth between the computer and my drawing table to try out what I've just discovered. Try this at home!

Them would be those transferrable skills you used to teach to YTS trainees Awa Rich.

Indeed.

I'd been monkeying about with some very basic Celtic knots - for reasons I'll explain later - but wasn't too happy with the drawing on the iPad, so I had another crack at it and was more satisfied with the result. Drawing on the iPad is a good warm-up exercise.


I was thinking about some little characters for a story I'll tell you about sometime and was leafing through a book of Swedish Folk Tales illustrated by John Bauer (are you listening Brian Froud?) After a few abortive attempts at getting the look I wanted, I erased the page and started on a drawing for the Pierrot character inspired by the strangely beautiful doll photo.


I'll show you the model when it's finished.