Well, it's been nearly a year since my last post and despite good intentions to fire up this blog again - life has other plans.
Old Jewish joke - stop me if I've told you this one before.
"How do you make God laugh?"
"Tell her your plans!"
I will reveal all later. Meanwhile...
I wish all Pugs a merry Crossmazzle and the same to everyone else too.
Here's this year's offering. Created the same way I did last year's. Lots of separate pencil drawings scanned and composited in Serif Affinity Photo then coloured therein!
Serif Affinity Photo It's like PhotoShop but you don't have to rent it you can buy it and it's cheaper.
A miscellany, a florilegium. Pseudorandom synaptic scintillations from the infinite dusty attic between my ears.
Showing posts with label illustration. Show all posts
Showing posts with label illustration. Show all posts
Friday, 8 December 2017
Another Crossmuss Looms
Labels:
Affinity Photo,
angel,
christmas,
demon,
drawing,
illustration,
mince pies,
pug,
temptation
Wednesday, 25 February 2015
Celtic Hearts Entwined
I finished the Celtic Valentine card in a bit of a rush - like, while I was making the first cuppa on the morning of Valentine's day. I was reasonably pleased with it but the longer I looked at it the less happy I was.
So I started again.
Happy now Awa Rich?
Yeah, well, y'know... Get'n there.
So I started again.
![]() |
| Watercolour and coloured pencil on Fabriano Classico .5 HP 140lb. watercolour paper |
Yeah, well, y'know... Get'n there.
Saturday, 14 February 2015
Celtic Hearts
Last week's brief at the Putney School of Art and Design Illustration class was to create a bookmark or a Valentine's card.
Several people produced Valentines bookmarks so I was not being original. I removed some bits after the show and tell session as the general opinion was that they were unnecessary. I had to agree.
I was going to do more to it but this morning I decided it was done. There are more ideas germinating from this project.
There always are Awa Rich. Thing is to do summink about 'em!
(Watercolour and coloured pencil on 200gsm cartridge paper)
Several people produced Valentines bookmarks so I was not being original. I removed some bits after the show and tell session as the general opinion was that they were unnecessary. I had to agree.
I was going to do more to it but this morning I decided it was done. There are more ideas germinating from this project.
There always are Awa Rich. Thing is to do summink about 'em!
![]() |
| Can you see 6 hearts? |
Saturday, 27 December 2014
So, That was Christmas
My Christmas card this year was another in the series of warning signs, suggested by Nissa - a member of the illustration class at Putney School of Art and Design.
I created it on an iPad using Indeeo's iDraw app. This is a powerful but simple vector illustration app that does what Adobe Illustrator does but at a fraction of the price. There's also a OS X app for your Mac which syncs with the iPad app via iCloud or DropBox.
I often rough ideas out on the iPad then tidy them up on the Mac. I created this one entirely on the iPad.
Vector graphics can be tedious and time consuming to create but they have several advantages. I mentioned scalability in a previous post. Also, each item you draw remains a discrete object that can be changed easily. You can group objects and create layers, making editing easier.
When I found a problem with various components of this drawing, doing something else while thinking about it and trying out different solutions was great fun, like solving a puzzle but with something to show at the end of it. Vector graphics seem to lend themselves to iterative improvement.
I've only dabbled with vector illustration but I'm beginning to see how I can use it more effectively. The ability to create a collection of reusable objects is useful and can help cut down the time it takes to create a drawing.
The flywheel wouldn't stop spinning and I couldn't leave it alone. There was a beautiful clear sky on Christmas eve, and a brilliant crescent moon behind the trees - so bright you could see the unlit part - Old O'Ryan marching high across the sky.
Creating the trees was interesting - here's a clue. Self similarity (for those of you who were swept along by the chaos theory fractal thing a couple of decades ago).
I created it on an iPad using Indeeo's iDraw app. This is a powerful but simple vector illustration app that does what Adobe Illustrator does but at a fraction of the price. There's also a OS X app for your Mac which syncs with the iPad app via iCloud or DropBox.
I often rough ideas out on the iPad then tidy them up on the Mac. I created this one entirely on the iPad.
Vector graphics can be tedious and time consuming to create but they have several advantages. I mentioned scalability in a previous post. Also, each item you draw remains a discrete object that can be changed easily. You can group objects and create layers, making editing easier.
When I found a problem with various components of this drawing, doing something else while thinking about it and trying out different solutions was great fun, like solving a puzzle but with something to show at the end of it. Vector graphics seem to lend themselves to iterative improvement.
I've only dabbled with vector illustration but I'm beginning to see how I can use it more effectively. The ability to create a collection of reusable objects is useful and can help cut down the time it takes to create a drawing.
The flywheel wouldn't stop spinning and I couldn't leave it alone. There was a beautiful clear sky on Christmas eve, and a brilliant crescent moon behind the trees - so bright you could see the unlit part - Old O'Ryan marching high across the sky.
Creating the trees was interesting - here's a clue. Self similarity (for those of you who were swept along by the chaos theory fractal thing a couple of decades ago).
What that needs is a Wowl Awa Rich!
Yes, I was thinking that myself.
Labels:
christmas,
iDraw,
illustration,
iPad,
putney school of art and design,
Santa,
signs,
vector graphics
Thursday, 11 December 2014
Just Bear, With Me
Last Friday was the last session of this year at the Putney School of Art and Design Illustration class. One or two people were collecting contact information and a couple of my classmates were enthusing about Facebook. I sent them an email a few days ago asking them to sell the benefits to me, as they both had sensible shoes on the subject.
I received a reply from one of them last night to say she hadn't forgotten about this but was up against the Dead Lions so "bear with me" - adding a comment about the oddness of that phrase, and perhaps there's a sign in there.
That's all the prompting I needed and a maelstrom of ideas swirled around my head - or was that just the wind in the poplars.
Good title for a book Awa Rich!
Here's a preliminary sketch - thanks for the nudge Sharon http://creativefoxblog.blogspot.co.uk
I received a reply from one of them last night to say she hadn't forgotten about this but was up against the Dead Lions so "bear with me" - adding a comment about the oddness of that phrase, and perhaps there's a sign in there.
That's all the prompting I needed and a maelstrom of ideas swirled around my head - or was that just the wind in the poplars.
Good title for a book Awa Rich!
Here's a preliminary sketch - thanks for the nudge Sharon http://creativefoxblog.blogspot.co.uk
![]() |
| Just Bear, With Me |
Labels:
beans,
dead lions,
deadlines,
illustration,
putney school of art and design,
signs,
sketch
Saturday, 22 November 2014
Sign a Day
My current Illustration assignment grew out of a long ago project - to create fridge magnets depicting pairs, things that go together in the minds of Ymns.
You're talking that Jargoon again Awa Rich. Splane please.
You'll have to read Mitch Benn's book Terra. Just say the word, it sounds like...?
After a few preliminary sketches I remembered the HazMat labels that were everywhere in the lab I worked in back in the early 70s. I'm sure you'll recognise them from the backs of trucks.
I used the HazMat design because it's bold, simple and easily recognisable. So whoever created the original design did a good job. You see one of these and you immediately know what kind of peril you're in.
I created these using iDraw, a vector illustration app for the Mac and iPad. It works like Adobe Illustrator but at a fraction of the price.
An advantage of vector graphics is they are scalable. if you enlarge them they don't go frilly around the edges like bitmapped images.
That's what the kids call pixelating intit Awa Rich?
A disadvantage is - because you are plotting points, joining them up with lines then filling the shape with colour - creating them can be very time consuming.
Vector graphics lend themselves well to diagrams, plans and cartoon images. Some artists manage to create realistic looking images. Lots of practice I guess.
The images for the fridge magnets were not depicting hazards unless you're a moth Awa Rich! but it got me thinking about hazards in a different way. Particularly the way people will exaggerate a trivial situation for effect.
Sometimes people can go beyond exaggeration.
Christmas can be a hazardous time, so last year, in a public spirited gesture I sent this to all my friends and relatives.
This is all old stuff Awa Rich. What about the new stuff?
I'm just setting the context. Patience is a virtue.
But prudence is a bitch! Do you know how long I've waited to work that one in Awa Rich?
When opportunity knocks norl that!
You're talking that Jargoon again Awa Rich. Splane please.
You'll have to read Mitch Benn's book Terra. Just say the word, it sounds like...?
After a few preliminary sketches I remembered the HazMat labels that were everywhere in the lab I worked in back in the early 70s. I'm sure you'll recognise them from the backs of trucks.
I used the HazMat design because it's bold, simple and easily recognisable. So whoever created the original design did a good job. You see one of these and you immediately know what kind of peril you're in.
![]() |
| Fridge Magnets |
An advantage of vector graphics is they are scalable. if you enlarge them they don't go frilly around the edges like bitmapped images.
That's what the kids call pixelating intit Awa Rich?
![]() |
| Enlarged Bitmapped Image |
![]() |
| Enlarged Vector Image |
A disadvantage is - because you are plotting points, joining them up with lines then filling the shape with colour - creating them can be very time consuming.
Vector graphics lend themselves well to diagrams, plans and cartoon images. Some artists manage to create realistic looking images. Lots of practice I guess.
![]() |
| This one took me all afternoon! |
The images for the fridge magnets were not depicting hazards unless you're a moth Awa Rich! but it got me thinking about hazards in a different way. Particularly the way people will exaggerate a trivial situation for effect.
Sometimes people can go beyond exaggeration.
Christmas can be a hazardous time, so last year, in a public spirited gesture I sent this to all my friends and relatives.
This is all old stuff Awa Rich. What about the new stuff?
I'm just setting the context. Patience is a virtue.
But prudence is a bitch! Do you know how long I've waited to work that one in Awa Rich?
When opportunity knocks norl that!
Monday, 28 July 2014
Return to Stinkytown
The very first post on this blog was a recipe for curry made from flatulence inducing ingredients, inspired by the illustrated children's book Stinkytown by my friend Linda.
Click the link below to see the dummy Linda produced for the Putney School of Art and Design Children's Book Illustration class.
http://stinkytown.weebly.com
Click the link below to see the dummy Linda produced for the Putney School of Art and Design Children's Book Illustration class.
http://stinkytown.weebly.com
Monday, 14 July 2014
Messing around with Paper (digital)
I was rummaging around in my drawers - as you do - and came across a pack of Milliput (epoxy putty) and wondered if it was still useable or had it set solid?
Milliput alway reminds me of the sticks of gelignite used by bank robbers in old American black and white gangster movies, I cut a slice from each of the sticks and kneaded them together like a good Peterman (that would be a safe blower Awa Rich) and it was still good. I couldn't resist making a head from the marble sized ball that resulted - having no leaks to fix or cracks to plug.
I'll show you the model when it's finished.
Milliput alway reminds me of the sticks of gelignite used by bank robbers in old American black and white gangster movies, I cut a slice from each of the sticks and kneaded them together like a good Peterman (that would be a safe blower Awa Rich) and it was still good. I couldn't resist making a head from the marble sized ball that resulted - having no leaks to fix or cracks to plug.
The face of this creature put me in mind of Pierrot the clown, so I snuffled around on the Googles for some pictures. Seems I'm not the only one who finds all those Comedia del Arte characters a bit creepy. There was a stunning photograph by a young Swedish art student of a doll, but shot so that it looked like a person. Very beautiful but faintly disturbing. Clowns and dolls, guaranteed to give me the collywobbles. It must have been all those black and white Hammer Horror films I watched in the '60s.
That led me on to drawing on my iPad with the 53 Paper app, probably the simplest graphics app available - limitation being the muse of creativity and all that. Drawing on a computer or iPad with a stylus is a lot more difficult than using the real deal - pencil and paper - but, as with everything, practice makes pretty good. Plus, I find that the different experiences of using a computer and physical materials produce inspirational flashes that have me zipping back and forth between the computer and my drawing table to try out what I've just discovered. Try this at home!
Them would be those transferrable skills you used to teach to YTS trainees Awa Rich.
Indeed.
Them would be those transferrable skills you used to teach to YTS trainees Awa Rich.
Indeed.
I'd been monkeying about with some very basic Celtic knots - for reasons I'll explain later - but wasn't too happy with the drawing on the iPad, so I had another crack at it and was more satisfied with the result. Drawing on the iPad is a good warm-up exercise.
I was thinking about some little characters for a story I'll tell you about sometime and was leafing through a book of Swedish Folk Tales illustrated by John Bauer (are you listening Brian Froud?) After a few abortive attempts at getting the look I wanted, I erased the page and started on a drawing for the Pierrot character inspired by the strangely beautiful doll photo.
I'll show you the model when it's finished.
Labels:
53 Paper,
Celtic knot,
drawing,
illustration,
iPad,
Milliput,
Pierrot,
sketch,
sketching
Sunday, 22 June 2014
Sketching at Fulham Palace
On Friday (20th June) the illustration class from Putney School of Art and Design had a PlayAwayAwayDay at Fulham Palace. Bright Phoebus shone most glorious and a good time was had by all.
Find out about Fulham Palace
Fulham Palace is a haven of tranquility and contemplation in the midst of urban London. It's a great place to sketch as there are usually people around - on Friday there were a couple of school groups and a wedding - several interesting buildings and the recently renovated walled garden which is a lovely place to escape from the hullabaloo to read, sketch, eat your lunch or canoodle - as evinced by several couples who found the sunshine and seclusion highly conducive.
I stayed all day and did two sketches, one in the walled garden and one of the facade of the palace.
Ian is an architect who eschews 'puters and still draws the traditional way. He does fantastic pen and watercolour drawings. I did this sketch on A4 200 gsm cartridge paper with a 3B mechanical pencil and Derwent Studio coloured pencils.
I did this sketch on A4 200 gsm cartridge paper with a 3B mechanical pencil and Rembrandt watercolours using a Pentel waterbrush, which is great for sketching as you don't need a pot of water which can spill all over the parquet floor.
When you visit a museum and Uniformed Security Personnel (What's your USP Awa Rich?) search your bag. They're not looking for Weapons of Mass Destruction, they're after your watercolours, as Ian will relate.
I got the proportions a bit askew, the building is wider than it appears here. Another problem I always have with buildings is dividing up the space between the windows and doors. I think I can do it by eye rather than using a perspective division method, but as you can see - I can't.
Linda asked Ian how he gets his drawings to look so accurate, he just shrugged and replied "years and years of practice". The answer no one wants to hear but know deep in their hearts to be true.
Accept no substitutes eh Awa Rich?
True enough. Now go practice!
p.s. I can thoroughly recommend the coffee and the chocolate brownies in The Drawing Room cafe, I went back twice!
Find out about Fulham Palace
Fulham Palace is a haven of tranquility and contemplation in the midst of urban London. It's a great place to sketch as there are usually people around - on Friday there were a couple of school groups and a wedding - several interesting buildings and the recently renovated walled garden which is a lovely place to escape from the hullabaloo to read, sketch, eat your lunch or canoodle - as evinced by several couples who found the sunshine and seclusion highly conducive.
I stayed all day and did two sketches, one in the walled garden and one of the facade of the palace.
![]() |
| Ian drawing the greenhouses in the Knot Garden |
![]() |
| A gaggle of school children in front of Fulham Palace |
I did this sketch on A4 200 gsm cartridge paper with a 3B mechanical pencil and Rembrandt watercolours using a Pentel waterbrush, which is great for sketching as you don't need a pot of water which can spill all over the parquet floor.
When you visit a museum and Uniformed Security Personnel (What's your USP Awa Rich?) search your bag. They're not looking for Weapons of Mass Destruction, they're after your watercolours, as Ian will relate.
I got the proportions a bit askew, the building is wider than it appears here. Another problem I always have with buildings is dividing up the space between the windows and doors. I think I can do it by eye rather than using a perspective division method, but as you can see - I can't.
Linda asked Ian how he gets his drawings to look so accurate, he just shrugged and replied "years and years of practice". The answer no one wants to hear but know deep in their hearts to be true.
Accept no substitutes eh Awa Rich?
True enough. Now go practice!
p.s. I can thoroughly recommend the coffee and the chocolate brownies in The Drawing Room cafe, I went back twice!
Wednesday, 18 June 2014
Sketching with Olivia by the Thames in Richmond
This morning I left the flat in the rain and cold - yes, the Summer Solstice is on Saturday - and caught the train to Richmond. A small group of us (current and former students of Putney School of Art and Design Children's Book Illustration class) get together to sketch the Out There now and again. Sometimes we head into the city, sometimes out.
Two of us couldn't come out to play today, so it was just me and Olivia. After walking upstream to that point where we might keep walking and not do any drawing, we decided to stop walking and sit.
The bench was quite wholesome, not too much moss, lichen, bird poop, ice cream or other unidentifiable unsavouriness. The view was reasonable - river, trees, buildings, boats, people. We sketched for a couple of hours and the sun came out. A pleasant way to spend a morning, drawing what's in front of you and talking of, well you know, those brassicas and monarchs again.
I'm still enjoying using my antique Derwent Studio coloured pencils. Olivia went for pen and watercolour.
Go to Olivia's blog to see her sketch.
Olivia's pen and watercolour sketch of Richmond Bridge
Go to Olivia's blog to see her sketch.
Olivia's pen and watercolour sketch of Richmond Bridge
![]() |
| On the Thames at Richmond - click for bigness |
Labels:
architecture,
buildings,
colored pencil,
coloured pencil,
illustration,
sketch,
sketching
Tuesday, 17 June 2014
It's Full of Cats!
Ten thousand years from now - when we've all gone to our accounts impenitent - and Tony Robinson is digging up the internet only to discover it's made entirely from cats - I want the Akashic record to show that I made a small but significant contribution.
The cup of my drafts folder runneth over with incompleteness so here's a bit of silliness to tide you over until the next post.
Oh the bugles played the next post in chorus, and the pipes played the flowers of the forest.
Mr. Foo is my downstairs neighbour's cat. I don't want to know that he's really called Keith or Fankle J. Roosevelt. He sits on the window sill surveying his domain, looking like an old Mandarin.
I didn't utter a word Awa Rich.
I drew him with Derwent Coloursoft pencils.
Labels:
cat,
cats,
colored pencil,
coloured pencil,
Derwent Coloursoft,
drawing,
Fankle,
illustration,
Mandarin,
sketch,
sketching,
Tony Robinson
Tuesday, 10 June 2014
Fairy Thoughts
The week of the second May public holiday (formally known as Whitsun) was a washout - as I mentioned in my last post.
A time for reading, writing, drawing and conversation. Even the residents at the bottom of the garden were taking shelter wherever they could.
I was checking in on Olivia's blog to see what she'd been up to lately. There was a delightful watercolour of a thoughtful fairy, which inspired me to draw a fairy.
OliviaArtbox
I always take a bag full of art materials on these sojourns and spread them out all over the dining table when we arrive. I'm usually disappointed by the amount of creation I've completed by the end of the week. This time I just took a large and a small sketchbook and my ancient Derwent Studio coloured pencils.
It's been ages since I last used coloured pencils but I really enjoyed pfaffing around with them. Layering the colours and creating different textures. You can exercise a lot of control with pencils. Anything from soft and delicate grainy hints to deep saturated glossy colour. It's amazing how limitations and restrictions can increase your creativity.
It was the first drawing of the week and it was a bit weak.
Let Olivia do Olivia picters and Awa Rich do Awa Rich picters Awa Rich!
Agreed, but it got my hand movong and I made marks on paper. I could see there was potential, not just in the texture of the pencil marks but the subject too. Vegetation, Fungi and anything sheltering beneath, raindrops (on noses and whispering kittens, snowcakes in freezers and fingers being bitten... Sorry, couldn't resist that Awa Rich).
Very droll.
The warm humid weather of the previous week had brought forth a profusion of small mushrooms in the grass. Nothing of any culinary interest but excellent places for wee folk to seek respite from the precipitation.
If you think that this critter bears more than a passing resemblance to the blue folk in James Cameron's Avatar, I would point you in the direction of Brian Froud and Alan Lee's book of fairies where you will find several similar looking beings. This book predates Avatar by about 35 years.
If you're too clumsy in your approach to a faerie, it will turn sideways to the sun in an instant, leaving a vestige of its presence, for a few seconds, lingering in the space it occupied.
Very poetic Awa Rich. You just didn't finish it, that's all!
True, but I really enjoyed doing that background. Building up layers of colours, feathering the edges of the tree trunks to make them look out of focus, creating the filigree network of fine branches in the undergrowth.
I am liking these pencils and playing with them has given me some clues for using watercolours better.
A time for reading, writing, drawing and conversation. Even the residents at the bottom of the garden were taking shelter wherever they could.
I was checking in on Olivia's blog to see what she'd been up to lately. There was a delightful watercolour of a thoughtful fairy, which inspired me to draw a fairy.
OliviaArtbox
I always take a bag full of art materials on these sojourns and spread them out all over the dining table when we arrive. I'm usually disappointed by the amount of creation I've completed by the end of the week. This time I just took a large and a small sketchbook and my ancient Derwent Studio coloured pencils.
It's been ages since I last used coloured pencils but I really enjoyed pfaffing around with them. Layering the colours and creating different textures. You can exercise a lot of control with pencils. Anything from soft and delicate grainy hints to deep saturated glossy colour. It's amazing how limitations and restrictions can increase your creativity.
It was the first drawing of the week and it was a bit weak.
Let Olivia do Olivia picters and Awa Rich do Awa Rich picters Awa Rich!
Agreed, but it got my hand movong and I made marks on paper. I could see there was potential, not just in the texture of the pencil marks but the subject too. Vegetation, Fungi and anything sheltering beneath, raindrops (on noses and whispering kittens, snowcakes in freezers and fingers being bitten... Sorry, couldn't resist that Awa Rich).
Very droll.
The warm humid weather of the previous week had brought forth a profusion of small mushrooms in the grass. Nothing of any culinary interest but excellent places for wee folk to seek respite from the precipitation.
If you think that this critter bears more than a passing resemblance to the blue folk in James Cameron's Avatar, I would point you in the direction of Brian Froud and Alan Lee's book of fairies where you will find several similar looking beings. This book predates Avatar by about 35 years.
If you're too clumsy in your approach to a faerie, it will turn sideways to the sun in an instant, leaving a vestige of its presence, for a few seconds, lingering in the space it occupied.
Very poetic Awa Rich. You just didn't finish it, that's all!
True, but I really enjoyed doing that background. Building up layers of colours, feathering the edges of the tree trunks to make them look out of focus, creating the filigree network of fine branches in the undergrowth.
I am liking these pencils and playing with them has given me some clues for using watercolours better.
Labels:
colored pencil,
coloured pencil,
faerie,
fairy,
fungi,
illustration,
sketch
Wednesday, 21 May 2014
Mary Anning
Today's Google Doodle (in the UK) celebrates the 215th birthday of Mary Anning who discovered the first complete plesiosaur skellington in the cliffs at Lyme Regis in Dorset.
I met her a couple of years ago while on a PlayAwayAwayDay with the Putney School of Art and Design Children's Book Illustration class at the Natural History Museum in London. We sat on a bench in the long corridor - where many of the "curies" she found are displayed on the wall - and spoke of many things, of ichthyosaurs and brassicas and monarchs.
She told me she'd "ben streck boy loytnin twoice!" Perhaps that's how she found herself in the Natural History Museum more than 200 years later. The lightening opened up a dimensional nexus in the timespace continuum and sucked her through. Or perhaps her doppelgänger was spirited there like in the film 'The Prestige" where Nikola Tesla's (David Bowie) lightening machine teleported duplicates of objects and people placed in its path.
More likely she was an actor acosting unwary visitors to elucidate them concerning the nature of the history and the history of the nature.
Here's a not quite finished waterclolour I did at the time. I think the project was to create a book jacket.
Labels:
fossil,
Google Doodle,
illustration,
Mary Anning,
plesiosaur,
Putney,
watercolour
Tuesday, 8 April 2014
Stinky Town Curry Recipe
Background
The inspiration for this curry came from Linda Hainsby’s hilarious illustrated book Stinky Town, in which a flatulent bear and a shopkeeper foil a royal robbery by means of the bear’s ‘special powers’. The bear's diet consists of copious quantities of beans, Brussels sprouts, nuts and chillies. The consequences of this diet are a central theme in the story.Linda debuted her book during a show and tell session at the Putney School of Art and Design Children's Book Illustration class. When we'd all recovered our composure, wiped away the tears and could breath normally, that part of my brain that looks in the fridge and sees a menu said "That would make a really nice curry".
I tested it on my partner, Marie, who declared it to be "very nice". No further encouragement needed, I made another batch to take to the next class. That disappeared with even more complementary noises.
That's what I love about the Putney Illustration class. The inspiration I get from a room full of creative people throwing ideas around. I never know what fragment of someone else's idea will trigger a cascade of connections in my head, and what will come out the other end. Could have rephrased that one Awa Rich!
This is just a starting point, you don’t have to follow it slavishly. If there’s an ingredient you don’t have, leave it out or use something else. Feel free to vary the amounts too. Experiment, play around with it, make it your own.
An illuminated version will be available soon. Don't hold your breath. Enough with the puns already Awa Rich!
Download a PDF version of this recipe
Ingredients
Curry paste
- Chillies
- 2 or 3 cloves Garlic
- A thumb sized piece of fresh root Ginger
- 2 tablespoons Coriander seeds
- 3 tablespoons Cumin seeds
- 1 tablespoon whole Black pepper
- 1/2 teaspoon ground allspice
- 1/2 teaspoon ground cinnamon
- 1 tablespoon ground turmeric
- 1/2 teaspoon ground nutmeg
Everything else
- 1 kg. Onions
- 250g. dried Black Eyed Beans
- 500g. Brussels Sprouts
- 100g. Blanched almonds
- 100 ml. Oil
- Water
- Salt
Fresh herbs
- A bunch of coriander leaves
- 2 or 3 sprigs of mint leaves
Preparation
If you are using dried beans, soak them overnight then boil them in 3 to 4 times their volume of water until they are soft. How long the beans take to cook depends on what type you’re using. Black eyed beans cook fairly quickly, about half an hour. Chick peas take much longer, an hour maybe more. Test one by squishing it with a fork, it should crush easily, but you don’t want mush.I usually cook a big pan of beans then freeze what I don’t use.
Top, tail and peel, then chop the onions. You don’t have to be to precise as they will break up when you cook them. A kilo of onions may seem like a lot but they cook down to a fraction of their original volume.
Cut the bottoms off the sprouts, remove any manky outer leaves and cut them in half from top to bottom.
Roughly chop the almonds or put them in a plastic bag and beat the living daylights out of them with a rolling pin or some other blunt instrument.
Making the curry paste
You can use ready ground spices but you don’t need to roast them. If you’re feeling really lazy you could use a ready made curry paste.Roast the whole dry spices in a small frying pan over a medium to high heat to bring out the flavours. Keep them moving around so they don’t burn. They’re done when you hear them snap crackle and pop. Take a moment to enjoy the aroma. Tip them into a dish to cool then grind them.
The fastest, easiest way to make the paste is to put all the ingredients in a liquidiser with some oil and whizz until you have a smooth paste. Add more oil if it gets too lumpy.
I like to use a pestle and mortar as it’s the best kind of aromatherapy.
Don’t worry if you make too much, put what you don’t use in a jar for another time.
Cooking
Put your biggest heaviest pan on a low to medium heat, pour in about 100 ml. of oil and gently fry the onions for 45 minutes to an hour. Keep them moving around and adjust the heat if they look like they’re browning. Your nose will tell you if they are.You’ll be surprised how little there is left once they are cooked. The concentrated onions give the background flavour and texture to the curry.
When the onions are cooked, add about 2/3 of the spice paste and cook for 2 to 3 minutes. Keep stirring.
You need a lot of oil to cook the onions and to make the paste but if there’s too much oil in the pan, pour some out. You could keep it in a jar for the next time you cook curry.
Now add the cooked beans and almonds and give everything a good stir. Pour in 250 ml. of water and put the lid on the pot. Simmer it for about half an hour to let the flavours mingle. Check occasionally to make sure it’s not drying out, add more water if it is.
Add the sprouts and cook for 10 minutes or so, they should be cooked through but still have some bite. Fish one out and taste it now and again to check if it needs more cooking. Overcooked sprouts are disgusting, mushy and bitter.
Add some salt, give it a stir and taste it. If it needs more, repeat. If you think it needs more spice then add some. Adding a bit of spice paste towards the end of cooking gives it a fresh zing.
Finally, chop the mint and coriander leaves and stir them in.
Serve it with chapatis, nan, paratha or rice. you can include this as part of a larger meal or as a meal in itself.
Notes
Did you notice that no bears or any other animals were harmed or exploited in the making of this curry?Onions Red onions are more traditional in India but use whatever you can get. Small onions have more flavour and pungency, large onions are sweeter.
Chillies Just like onions, dogs and people, the smaller ones are more fierce. Remember, you can put them in but you can’t take them out. Avoid Dutch hothouse chillies as they are impostors and couldn’t punch their way out of a wet paper bag.
Beans Black eyed beans are used a lot in indian cooking but you can use any kind you like. Chick peas have good flavour and texture but they take a lot of cooking. use whatever you have.
If you can’t be bothered with the soaking and boiling palaver, use canned. Rinse them thoroughly before you add them to the pot. That goes double for Heinz.
Sprouts If sprouts aren’t in season then use any of their cousins. Broccoli, cauliflower or shredded cabbage will work fine. Fresh is best but frozen is good too, and it cuts down on the preparation. Just heave them straight into the pot.
Almonds Ready blanched and sliced almonds are available but it’s cheaper to make your own. Asian shops sell large packs of almonds for a fraction of the price you’d pay in a supermarket (same goes for spices).
Boil a pan of water, chuck in a cup of almonds and bring back to the boil. Cook for 1 minute only then drain them. Rinse with cold water and leave for about 10 minutes.
Now for the fun part. Remove the skins by holding a nut between your thumb and the first knuckle of your forefinger and squeeze. The almond will pop out easily, often too easily. Squeeze them into the palm of your other hand to stop them shooting across the room.
Labels:
beans,
bear,
brussels sprouts,
curry,
flatulence,
illustration,
Putney,
recipe,
vegan
Subscribe to:
Posts (Atom)
























